PRLog (Press Release)– Apr 07, 2011– The 2011-2012 season is entitled Zones of Intensity, (a term coined by Edgard Varèse), and was programmed by newly-appointed Artistic Director and conductor Steven Schick with input from the musicians of the ensemble. There will be five concerts of new chamber music performed at Herbst Theatre, and five informal Contemporary Insights: Music and Conversation events presented at chrysler the ODC Dance Commons.
This season's highlights include: three world premieres commissioned by the ensemble from California-based composers Olly Wilson, Michelle Lou, and Edmund Campion; an hour-long piece by John Luther Adams; and significant works by master composers Iannis Xenakis, Lou Harrison, John Cage, Salvatore Sciarrino, and others. In March 2012, Steven Schick will give the 20th anniversary performance of Brian Ferneyhough's percussion solo "Bone Alphabet" which was written for Schick and premiered by him in 1992.
View full release here: http://www.sfcmp.org/press/season11_12/PressRelease_11_1 ...
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SUMMARY OF CONCERTS
Monday, October 3, 2011 auto part – Zone 1 (in which crisscrossing vectors enliven the ear and oxygenate the sonic space)&# cadillac 13;Herbst Theatre. 8:00 p.m. Pre-concert talk at 7:15 p.m. Special guest: John Luther Adams Josh Levine, "Transparency (Part I)" (2004, rev. 2010) Daniel Kennedy, percussion Edgard Varèse, "Octandre" (1923) John Luther Adams, "Clouds of Forgetting, Clouds of Unknowing" (1991-95)
Monday, November 14, 2011 – Zone 2 (in which an indispensable morphology is identified) Herbst Theatre. 8:00 p.m. Pre-concert talk at 7:15 p.m. James Tenney, "Critical Band" (1988) Martin Bresnick, "Songs of the Mouse People" (1999) Stephen Harrison, cello; Daniel Kennedy, vibraphone Frederic Rzewski, "Bring Them Home!" (2004) David Lang, "Illumination Rounds" (1982) Roy Malan, violin; Julie Steinberg, piano Brett Dean, "Intimate Decisions" (1997) Nancy Severance, viola John Cage, "Credo in Us" (1942)
Monday, February 27, 2012 – Zone 3 (in which an inscription is erased but leaves a trace) Herbst Theatre. 8:00 p.m. Pre-concert talk at 7:15 p.m. Luigi Dallapiccola, "Piccola Musica Notturna" (1954) Michelle Lou, "paralipomena" (2011, world premiere, commission) Salvatore Sciarrino, "Le Voci Sottovetro" (1998) Pascal Dusapin, "Comœdia" (1993)Iannis Xenakis, "Palimpsest" (1979)
Monday, March 26, 2012 – Zone 4 (in which momentum and position co-exist within the physicality of a musical performance)Herbst Theatre. 8:00 p.m. Pre-concert talk at 7:15 p.m. Katharina Rosenberger, "scatter 2.0" (2010) Brian Ferneyhough, buick "Bone Alphabet" (1992) Steven Schick, percussion Olly Wilson, new work (2011, world premiere, commission) Geoffrey Gordon, "Fancywork" (2007) Graeme Jennings, violin; David Tanenbaum, guitar Heinz Holliger, "Ma'Mounia" (2002) Christopher Froh, percussion
Monday, April 30, 2012 – Zone 5 (in which discussing a plan leads to some confusion) Herbst Theatre. 8:00 p.m. Pre-concert talk at 7:15 p.m. Aaron Gervais, "Culture No. 1" (2006) Karen Gottlieb, harp; Julie Steinberg, piano and laptop Liza Lim, "Philtre" (1997) Graeme Jennings, violin Nathan Davis, "The Bright and Hollow Sky" (2004) Mark Applebaum, "Pre-composition" (2006) 8-Channel Tape Lou Harrison, "Serenade" (1978) David Tanenbaum, guitar; William Winant, percussion Edmund Campion, new work (2012, world premiere, commission)
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Contemporary Insights: Music and Conversation 4:30 p.m. at ODC Dance Commons
Sunday, October 2, 2011: John Luther Adams, "Clouds of Forgetting, Clouds of Unknowing" Sunday, November 13, 2011: John Cage, "Credo in Us" Sunday, February 26, 2012: Iannis Xenakis, "Palimpsest"Sunday, March 25, 2012: New work by Olly Wilson Sunday, April 29, 2012: New work by Edmund Campion
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Tickets: Season Subscriptions (all 10 events): $130 general, $108 senior, $45 student Single Tickets: Concerts: $30 general, $25 senior, $10 student Contemporary Insights: $10 general, $5 student/senior City Box Office: www.cityboxoffice.com, 415-392-4400. Information: 415-278-9566, www.sfcmp.org
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The San Francisco Contemporary Music Players' concert season is funded in part by: San Francisco Hotel Tax/Grants for the Arts Program; National Endowment for the Arts; Aaron Copland Fund for Music; Mervyn Brenner Foundation; Alice M. Ditson Fund at Columbia University; The French-American Fund for Contemporary Music, a program of FACE with support from Cultural Services of the French Embassy, CulturesFrance, SACEM and the Florence Gould Foundation; Ann and Gordon Getty Foundation; William and Flora Hewlett Foundation; Istituto Italiano di Cultura; Bernard Osher Foundation; Pro Helvetia, the Swiss Arts Council; Consulate General of Switzerland in San Francisco; The San Francisco Foundation; Wells Fargo Foundation; and many individual donors.
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